On this day in 1984, one of the most influential bands in alternative music released their debut album. The Smiths' self-titled debut album introduced listeners to the signature sound that would come to define the band: a combination of Johnny Marr's perfect, jangly guitar melodies, Morrissey's melancholic yet sharp lyrics, and the tight rhythm section of Andy Rourke and Mike Joyce. Musically, The Smiths is rooted in 1980s post-punk and indie pop, but it stands out due to Marr's intricate guitar work, which incorporates elements of 1960s rock, and Morrissey's distinctive, often crooning vocal style.
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Lyrically, the album is a rich exploration of themes such as alienation, rejection, and unrequited love. Morrissey's lyrics resonate with a certain romantic despair, yet they are infused with wit and plenty of irony. My favorites on the album include "This Charming Man" and "Still Ill". capture a sense of personal struggle, while "Hand in Glove", the band's first single, speaks to the idea of defying societal norms and celebrating individuality. Morrissey's lyrical vulnerability, combined with his ability to inject humor into his despair, is one of the key aspects that elevated the album from a simple indie record to a lasting cultural statement.
Another defining feature of the album is its ability to balance upbeat, melodic music with darker, more introspective themes. Tracks like "What Difference Does It Make?" feature lively rhythms and bright guitar riffs, while lyrically diving into the bleakness of human relationships. Johnny Marr’s bright, uplifting guitar melodies and Morrissey's truly somber, introspective lyrics created a dynamic tension that became a hallmark of The Smiths' music throughout their career. And even though the lyrics “I wear black on the outside, ‘cause black is how I feel on the inside” comes later on in their career, it’s a fitting lyric as they lay the groundwork for mopey, yet brillant songs.
The Smiths is one of the most important albums released in the 1980s establishing the band's unique voice in the British indie music scene of the 1980s. It laid the foundation for the group’s subsequent releases, showcasing their ability to craft songs that are both catchy and emotionally complex. While it may lack some of the polish and production depth of later albums like The Queen is Dead, it remains a compelling and raw introduction to the band, setting the stage for the massive influence they would exert on alternative rock and indie music in the years to come.
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